awarelooki.blogg.se

1. #CINEMA GRADE PREMIERE HOW TO#
2. #CINEMA GRADE PREMIERE PRO#
3. #CINEMA GRADE PREMIERE SOFTWARE#
4. #CINEMA GRADE PREMIERE PROFESSIONAL#

In the recent years Adobe Premiere Pro has made many changes to their editorial platform by improving their color tools.

#CINEMA GRADE PREMIERE PROFESSIONAL#

I tried changing everything from a Nikon DSLR to a Sony DSLR from my Zhiyun Crane Gimbal to DJI but still couldn't achieve that cinematic film look, the thing that finally helped my films look professional and help me start my first Music Video Company was when I learnt the process of color grading. This course is intended primarily for students who have little to no prior background or knowledge in the field of video editing.

#CINEMA GRADE PREMIERE HOW TO#

You can do it! Even if you are a beginner or just starting out this course will teach you how to color grade your footage easily and give it a cinematic look within minutes. The more you try to learn the more messy it becomes. Shots that don't match together, shots that look pathetic. I have been where you have been and I can understand it is terrifying with so many different color correction and grading tutorials, LUTs that are out there. Mark the clips you focused on in Basic Corrections as your Hero shots.If you you're looking to make the look of your films standout and get your career to the next level but struggle with the color grading aspect Then this is the prefect course for you. For each group, you can designate one “Hero” shot to which all the other clips in the group will be matched. To assign clips to a group, first select the color and then click on the clips you want to add. Shot Matching in Cinema Grade gives users the ability to group similar shots into color-coded categories to quickly compare and copy color corrections. Focus on color correcting these particular clips first. We recommend previewing your clips to determine which ones best represent the majority. But, it’s important to realize the purpose of this step is to correct and color balance your clips. You can utilize all the color tools in the Basic Correction Correct panel. Cinema Grade doesn’t limit you to primary corrections at this stage. You can also apply specific camera and conversion LUTs for log and raw formats before color balancing.

This mode is for color balancing your individual shots. We’ve already covered the layout and tools in each of these interfaces, but now we’re going to look at them in terms of workflow order. The steps in the workflow are right at the top of the interface: Basic Correction, Color Matching, Final Grade.

But Cinema Grade has a specific workflow that, when used, is very powerful and efficient. You’ll love it just for adjusting the hues of objects in your shots. You can use Cinema Grade however you want, obviously. The interface cleverly hides tools so that the image is the biggest thing in the interface, as it should be. There’s so much more to Cinema Grade than meets the eye, and we mean that literally. Does this make Cinema Grade any less of a professional tool? Absolutely not! Anyone doing color grading can benefit from Cinema Grade.Īt the end of the day, regardless of user skill level, once you “buy in” to Cinema Grade’s approach to color grading, it’s blazing fast! Especially for making isolated hue adjustments.īut let’s not get ahead of ourselves just yet.

#CINEMA GRADE PREMIERE SOFTWARE#

It’s the color grading software of tomorrowĬinema Grade is targeting individuals-filmmakers and video creators-as opposed to the professional editing and color grading market. In fact Cinema Grade claims professional results without the “pain and frustration” of traditional color grading tools. Cinema Grade identifies itself as a “modern color grading software for the independent filmmaker.” Two things you can glean from this marketing statement:Ĭinema Grade is going to look and feel more progressive than the color tools you’re used to.